The Epic Style of Kerry James Marshall
by Calvin Tomkins
The artist, a virtuoso of landscape, portraiture, still-life, history painting, and other genres of the Western canon since the Renaissance, can do anything.
The Epic Style of Kerry James Marshall
by Calvin Tomkins
The artist, a virtuoso of landscape, portraiture, still-life, history painting, and other genres of the Western canon since the Renaissance, can do anything.
The Formidable Charm of Omar Sy
by Lauren Collins
How the star of “Lupin†pulled off his greatest confidence trick.
How El Anatsui Broke the Seal on Contemporary Art
by Julian Lucas
His runaway success began with castaway junk: a bag of bottle caps along the road. Now the Ghanaian sculptor is redefining Africa’s place in the global art scene.
Profiles
Igor Levit Is Like No Other Pianist
He’s a political activist. His repertory is vast. And, during Germany’s shutdown, he streamed more than fifty performances from home. It’s made him question what a concert can be.
by Alex Ross
Profiles
Scenes from the Life of Roz Chast
In the past four decades, the cartoonist has created a universe of spidery lines and nervous spaces, turning anxious truth-telling into an authoritative art.
by Adam Gopnik
Profiles
Is the Supreme Court’s Fate in Elena Kagan’s Hands?
She’s not a liberal icon like Ruth Bader Ginsburg, but, through her powers of persuasion, she’s the key Justice holding back the Court’s rightward shift.
by Margaret Talbot
Profiles
Adam Driver, the Original Man
Why so many directors want to work with Hollywood’s most unconventional lead.
by Michael Schulman
Profiles
How Matthew Lopez Transformed “Howards End†Into an Epic Play About Gay Life
“The Inheritance,†opening soon on Broadway, reimagines E. M. Forster’s novel as a lovingly wry portrait of New York’s gay community.
by Rebecca Mead
Profiles
Rhiannon Giddens and What Folk Music Means
The roots musician is inspired by the evolving legacy of the black string band.
by John Jeremiah Sullivan
Profiles
Sam Mendes’s Directorial Discoveries
For screen and stage, Mendes works like a sculptor—continually molding and remolding space, speech, and gesture.
by John Lahr