Anthony Broadwater spent sixteen years in prison and twenty-two more as a registered sex offender. For him and for the author of “The Lovely Bones,” justice is a difficult dream.
The artist, a virtuoso of landscape, portraiture, still-life, history painting, and other genres of the Western canon since the Renaissance, can do anything.
His runaway success began with castaway junk: a bag of bottle caps along the road. Now the Ghanaian sculptor is redefining Africa’s place in the global art scene.